1/26/2024 0 Comments Weird shapes slim jimsIt is a red herring, though, as his material is astute and often fearless. His onstage style is relaxed to the point of almost complete stillness, a sort of mumblecore standup. But in the US at least, Buress has long had a following, thanks to TV specials, late-night chatshow appearances and his role in Comedy Central sitcom Broad City. Hannibal Buress would almost certainly like to be known for more than just being the guy who made a joke that triggered Bill Cosby’s downfall. See their suburban Banksy, the Made in Chelsea spoof Young Dreams, and one-off sketches (their Clowns sketch is a beauty). When their TV break came (on E4 then Channel 4), it wasn’t just funny, it was a cinematic treat, both in how it looked, and how the sketches were like entire worlds to immerse yourself in. When Cardinal Burns arrived on the comedy circuit, it was obvious from the quality performances, the sharp script and the range of characters that Seb Cardinal and Dustin Demri-Burns had talent. Photograph: Graham Turner/The Guardian 44 Cardinal Burns While his face does minimal work, it’s his voice – described as “part bounty hunter, part 70s porn star” – that has soothed this century, from his BBC shorts to The IT Crowd, The Mighty Boosh, Snuff Box, House of Fools and yoghurt adverts. His roles often come from an alternate version of the 70s - his sophisticated, Bafta-winning Toast and its excellent interior design and music being one of the most innovative comedies on TV in years. BL 45 Matt Berryįans of the barrel-chested comic may have first witnessed him in Garth Marenghi’s Darkplace, where his poker-faced arrogance became the stuff of cult worship. Either way, you can’t take your eyes off him. Or maybe they’re just what this “hipster Nosferatu” finds funny. Maybe his antics – eyeballing his crowd, absenting himself, stretching his sinewy frame into odd shapes – relate to the currents of talking about incest, eco-angst and existential despair that pass for his material. Suspend your expectations of comedy: like his hero, the great Dutch comic Hans Teeuwen, Brookes is here to scramble your sense of what’s happening on stage, what’s up next and why the hell you’re laughing. But she’s done all of these things, so question her place here at your peril. Had she only written and starred in the Emma Thompson film Late Night, there’s a good chance she’d make the list. Had she only made The Mindy Project, she’d make the list. Had she only written the books Is Everyone Hanging Out Without Me? (And Other Concerns) and Why Not Me?, she’d make the list. Had Mindy Kaling just written and appeared on The Office (US), revitalising a flagging show with her livewire neediness, she’d make the list. Photograph: Ramona Rosales 47 Mindy Kaling But with its misfit lead navigating her sexuality and identity, it was a revelation for a generation of black women who were previously made to feel invisible in comedy. Based around Tracey, a neurotic 24-year-old living in a tower block in London, the show had all the appeal of an Inbetweeners-era coming-of-age sitcom (such as the scene in which she tries to lose her virginity in a disabled loo). While Coel’s statuesque skills have been lent to more serious thespian pursuits recently (2018’s Black Earth Rising), her self-penned series Chewing Gum was a landmark. With PJDN now over, the group seem to have the comedy world at their feet, with a film and a US version on its way. Over five series, the group nailed subcultural satire by drawing on their experiences in the world of garage MCing, making for a show that was authentic and absurd. Asim Chaudhry, Allan “Seapa” Mustafa, Steve Stamp and Hugo Chegwin gave the mockumentary a millennial spin with a web series that caught the eye of Office producers Roughcut. Their Brentford-set series followed a group of loserish friends, but its creators are anything but. But what’s consistent through both incarnations and into her recent show about motherhood is a personality that fizzes with fun and – Tories be damned! – an indomitable love of life. She has gone on to become one of comedy’s most articulate chronicler of the left’s beleaguered decade. Then, just as the coalition government came into power, the girl from Orpington pivoted towards outraged political comedy. The queen of indie comedy announced herself as a sweet-natured woman-child, making not so much shows as scrapbooks of the things that made her big heart burst.
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